Edvard Krall Bruckner, The Ashborn  

A donnas of a man stands in your plain of sight. He strides with upmost confidence, his step is in equal parts graceful and heavy, he moves with considerable weight but it seems not to hinder him, his body is large and at the peak of physique tall proud and regal, he strides with an aura of pride and command.

This man walks with a heavy stride, it is however strong and meaningful, clearly great backbone is behind the steps Heroic and powerful he moves with purpose and deliberate timed step. Despite his armour he appears not to weaken, it is clear he is conditioned and quite indefatigable.

When He speaks you'd likely catch his proud Lordaeronian accent, he'd speak with the sub dialect of a well spoken and learned man, his words are strong true and proud, clearly the Kings common, old fashioned crisp and meaningful his palette is rich and well mannered as it is bold and striking.

He'd speak this in a  rich baritone, his voice is strong but throaty, his voice seems rough but desirable, a natural trait enhanced by his dialect and manner of holding himself.

From the top of his head, and indeed likely one of the first things you'd notice about this individual are his great flowing locks of brilliant golden hair, as pure it seems as the birth he claims his hair flows down just beyond his shoulders, and is light and thick, as well as well cared for be it by water or other means.

His face is strong and sharp, classically Handsome in almost evert way, he's a well cared for moustache and slight beard cut into a point that matches his prominent features marvellously.  By some divine way his face is both caring and strong his brow sculpted his nose proud and his eyes the sharpest blue grey, it appears if ever there were an ideal man of Lordaeronian birth this would be him.

Clad always in his proud suit of armour he is rarely seen without it, but when not he wears fine linen clothing with ornate details reflective of the crusades colours, they are however simple and effective garments, reflective of the mans need to adapt to any given situation.

Bound around the mans arms,fists and chest is more often than not a length of bandage to prevent straining injuries and so fourth.

Strapped to his thighs are more often than not leather fine leather over trousers stained a colourful crimson they are clearly a layer of protection for which is armour is to be placed upon they are  latched onto a belt; the belt in question is thick and large having heavy metal studs pressed through it and more often than not it is then wrapped in fine crimson material as is customary.

Seemingly made up of two layers of fine cured leather, hardened by extensive staining and maintaining, the under layer of the belt  is larger, wider at the edges, covering the waist and upper legs; where the plates will invariably rub.

Wearing a leather jerkin over the light linen  vest he'd wear this loose armour as a pre-emptive layer of defence he'd simply pull this around his body, and belt it at the front with the built in buckles. this is crimson, not well decorated but still embossed with rich patters and designs.

Atop the leather layers he wears a layer of Mithril chain mail, favouring it's lightness over steel and it's comparable durability, this protective armour covers his arms, torso and thighs, the chain is thin, not designed to subdue heavier strikes, but dagger and arrow impacts it is tightly knitted and seems to form one flowing layer of metal.

Strapped to this mans leather bound chest is a heavy weight set of deep red armour plates forming one carapace, a protective chest plate. They seem to belt and buckle together to form one heavy protective vest, two halves for the upper body alike to a rib cage, and one for the mans front, belting around at the side, leaving his lower sides and back partially exposed. The vulnerable areas are then protected by an additional gut plate that connects in two halves around the lower body.

He stuff wording, in the form of barded felt, it would lessen impacts from blunt weapons, and slow down anything that would get through, he'd tend only to do this where conditions permit, or if he faces heavy battle.

Upon his arms go the various pieces of armour needed to assemble the two plated limbs, his upper arms are partially exposed, but only to the chain mail beneath, however atop this he'd wrap pure white bandage, symbolic it matches his surcoat well, a gesture of purity and devotion to his cause.

Atop it all he would  wear a radiant white surcoat, it flows from him majestically, flowing down over his waist and legs, it splits at the front on two sides to allow the man to move un hindered, woven into the fabric is fine red silk and thread, a heavily barded and embossed crimson flame at it's centre, with borders of red and brilliant gold.

Upon his thighs would go two layers of plate, the first fastening in two halves around his legs to offer utter protection, his was tanned girdle armour low enough to protect his groin these plates would go over the leather and chain utterly protecting the inner and outer thighs, atop these are two larger plates that attach to both his legs and belt loosely for added protection.

Strapped to his shins over well cared for and high quality jet black boots are two haves of crimson armour, re-enforced at the from where the shins are, these alike to the rest of his plate are decorated in gold filigree and design, they strap together in two halves to protect his lower legs, and the lower boots have plates strapped and slid atop as well, this man is a walking weapon, near impermeable.

A heavy leather strap will often sit upon his tabard covered  chest, thick but loose, it seems to sit freely, with plenty of slack and give, bolted and belted at the chest so that it can be adjusted, but alike all of his gear this is well decorated refined and likely of the highest use and quality.

worn upon one side is a heavy and delicate Librairium, it seems to chain shut and seems to be used to store all manner of ancient knowledge in the way of the light, these books are famously those which Paladins will consult before and even during battle.

Bound betwixt two scarlet sides bolted together with heavy and ornate golden detail this Librium seems to be both hardy and beautiful symbolic even of it's user.

attached firmly into the belt is a large sheathe containing a well sharpened and maintained short blade, the sheathe is felt lined to ensure it is quiet and the scabbard itself is furnished from what seems to be rose wood and fine leater, decorated also with the usual gold filigree, it is also decorated with the Alonsus cross down one side in embossed gold. The blade within is made of what seems to be a Silver and Adamantite alloy, clearly a blade designed to have corporal and meta physical ability, the light blessed weapon seems to be a potent and deeply venerated secondary weapon.

Attached to the strap will often be two items, the first will be a heavy bound, ornately decorated leather sheath the Alonsus cross running down the entirety of it's length barded in gold and metal it's clearly meant to carry something rather precious; The weapon within is a sword too large for most men to wield, an expertly forged blade of light forged steel and Adamantite the weapon seems to call ambient light to it, the relic clearly having been forged with the wielder in mind, it is weighted but not to much so, balanced and firm and the blade is simple and sharp, the hilt decorated to match the rest of it's masters heraldry.

The second item when worn, is a crest, firm strong and forged of a marinade of temporal and corporal metals to ensure the shield can stand the tests of both the weapons of the scourge, and those of the forces of Light, as well as modern firearms, it is a holy barrier, the crimson flame set into it's heard in red, the rest of the metal well decorated, and dented here and there.